Results of the 3rd Wojciech Fangor National Student Painting Competition

On 11.12.2020 the jury of the 3rd Wojciech Fangor National Student Painting Competition awarded the following:

1. First Prize 10 000 zł: Aleksander Baszyński
2. Prize ASP Gdańsk 5 000 zł: Anna Kwiatkowska

Special Mention
Artistic rezydence at CSW Łaźnia, Gdańsk:
Aleksander Baszyński
Anna Kwiatkowska

BWA Olsztyn:
Aleksander Baszyński
Anna Kwiatkowska
Justyna Korzeń
Justyna Molska
Mateusz Majchrzak

MGS Zakopane:
Aleksander Baszyński
Anna Kwiatkowska
Tomasz Zjawiony

GCF Gdynia:
Aleksander Baszyński
Anna Kwiatkowska
Jakub Mroczek

Galeria Fibak, Warszawa :
Pola Gadowska
Szymon Poloczek

Kolonia Artystów, Gdańsk:
Anna Kwiatkowska
Aniela Wesoły

Krupa Gallery, Wrocław:
Justyna Korzeń

Publikacja pracy w magazynie Szum:
Aniela Wesoły

Wojciech Fangor mosaics from early ’60 listed in the register of Masovian District Monuments in Poland

Earlier this month mosaics designed by Wojciech Fangor in early ’60 were listed in the register of Masovian District Monuments in Poland. The works including 52 ceiling mosaics located above three train platforms and 27 wall mosaics located along platforms, in the waiting areas and walkways are integral part of the underground commuter railroad station Warszawa-Śródmieście.

This is a second listing of Wojciech Fangor works in the Monuments Register this year. Earlier this year the ceiling painting „Pleiades” located in Fangor’s family home near Warsaw and painted in 1943 was also listed.

Read More:

Gdańsk Academy of Fine Arts – National Painting Competition

UPDATE: Due to the situation and cancellation of the planned cultural events in all spaces of the Academy of Fine Arts in Gdańsk, the new date of the exhibition will be announced after April 30, 2020.

The Painting Department of the Gdańsk Academy of Fine Arts (Wydział Malarstwa Akademii Sztuk Pięknych w Gdańsku) is organizing for a third time a National Painting Competition in the name of Wojciech Fangor.,2682

Wojciech Fangor II National Painting Competition

In October 2019, the exhibition of works by young artists and participants of the II National Painting Competition Wojciech Fangor took place. This is a nationwide competition organized by the Painting Department of the Academy of Fine Arts in Gdańsk and intended for students of painting faculties of various universities in Poland. A selection of these works is presented in various centers. Learn more about the foundation and initiative to keep young artists inspired through creative expression.,Nie-wierze-w-smierc-malarstwa.html

The Museum of Modern Art in Warsaw presents “Never Again” featuring Wojciech Fangor

The exhibition “Never Again” was organised on the 80th anniversary of the outbreak of World War II. The exhibition concentrates on three moments in history. The first is the decade of the 1930s: featuring a rendition of the most renowned anti-war painting, Guernica, from 1937 painted by the Polish artist Wojciech Fangor. Read more about the exhibition and other works featured.

The first is the decade of the 1930s: we look at the most renowned anti-war painting, Pablo Picasso’s Guernica from 1937, presenting the history of its creation and reception, which reflects in a distinctive and dramatic way the entanglement of art and politics since the 1930s. We also depict the international anti-fascist movement prior to the outbreak of World War II and its ties with the workers’ movement on the example of artists from the Weimar Republic, the Krakow Group and leftist movements in the United States. The second discussed period is the communist era in Poland, when anti-fascism and pacifism were given official prominence – this section of the exhibition concentrates primarily on the “Arsenal” – Polish National Exhibition of Young Visual Arts “Against War, Against Fascism”, held within the 5th World Festival of Youth and Students in 1955. The harnessing of anti-war stances by the communist propaganda apparatus of that era resonates until the present day in discussions concerning the traps and duties involved in the civic – or even downright political – engagement of artists. The third focus of the show embraces today’s approaches to fascism, which ceases to be treated exclusively as a historical ideological formation responsible for genocide, but is evoked in the context of the modern-day racist, misogynistic and violent narratives that prepare the ground for the catastrophes of the first half of the 20th century to happen again. A major role for that matter is also played by the crisis of the European Union, the greatest peace project in the history of the continent (a response to the events of World War II, driven by faith in humanism and universalism in the new political order), and by the sprawling wave of populisms.

Fangor Featured Art:
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