N 17, 1963

Montrouge

Signature / Inscription Verso: FANGOR / 1963 # 17

Provenance [Galerie Lambert, Paris, 1964]
[Beatrice Perry Inc., New York, 1960s]
Museum of Modern Art, New York, no. 46.1965, 1965; gift of Beatrice Perry Inc.

Exhibitions

• The City Art Museum of Saint Louis, Saint Louis, MS, USA, 1965 (E.1965.3)
• The Museum of Modern Art, New York, NY, USA, 1965 (E.1965.1)
• *Städtisches Museum Leverkusen - Schloss Morsbroich, Leverkusen, Germany, 1964 (E.1964.4)
• The Pasadena Art Museum, Pasadena, CA, USA, 1965 (E.1965.7)
• The Seattle Art Museum, Seattle, WA, USA, 1965 (E.1965.5)
• The Museum of Modern Art, New York, NY, USA, 1966 (E.1966.3)
• The Baltimore Museum of Art, Baltimore, MD, USA, 1965–1966 (E.1965.10)
• The Museum of Modern Art, New York, NY, USA, 1967 (E.1967.4)
• The Museum of Modern Art, New York, NY, USA, 2016–2017 (E.2016.5)

Literature

• Seitz, William Chapin. The Responsive Eye. Exhibition Catalogue. New York: The Museum of Modern Art, 1965.
• Recent Acquisitions : Painting and Sculpture. Exhibition Brochure. New York: The Museum of Modern Art, 1966.
• Miller, Dorothy Canning. The 1960s. Painting and Sculpture from the Museum Collection. Exhibition Brochure. New York: The Museum of Modern Art, 1967.
• Parola, Rene. Optical Art Theory and Practive. New York: Van Nostrand Reinhold Company, 1969: p. 125.
• Samuels, Mike and Nancy Samuels. Seeing with the Mind's Eye : The History, Techniques and Uses of Visualization. New York: Random House, 1975.
• Dabrowski, Magdalena ed. Wojciech Fangor: Color and Space. Milano: Skira, 2018.